The Rebirth Of The Auratones: A few years back, the original family-owned Auratone speaker company launched a recreation of their long-discontinued 5C Super Sound Cube, specifically the 1985 iteration of the design. This issue has been corrected for the second edition. The top pin should be ‘2’ and the middle pin ‘3’, as shown in this updated version of Figure 2.7. Correction: In the first edition of the book, the schematic diagram of Figure 2.7 (page 40) has the pins of the male XLR connector incorrectly numbered.
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While this makes it appear more impressive in stereo, it also seriously affects its overall level when it’s summed to mono, as you can hear at 0:05 and 0:12. And here’s a synth recording Ex02.04: WAV/ MP3 play_arrow where polarity inversion has been used to artificially widen the stereo image of the audio. You can clearly hear some mono-compatibility problems, for example a loss of high end which is making the cymbals dull-sounding. Mono-compatibility Examples: In this audio example Ex02.03: WAV/ MP3 play_arrow you can hear a stereo drum overheads recording which is periodically being switched into mono. Listen to the same file in mono, however, and you can hear a clear reduction in level for the hard-panned chords by comparison with the central chords. On a reasonably set-up stereo monitoring system, the brass chord should remain at a roughly consistent level as it pans around the image.
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MonoBalanceShift: Ex02.02: WAV/ MP3 play_arrow This audio example demonstrates the middle-versus-sides balance shift when a stereo file is summed to mono. (The fourth noise burst is irrelevant to this particular discussion, but is useful for checking the polarity of stereo speaker rigs.) On most real-world nearfield monitoring systems, the phantom image of the third noise burst will appear much less well focused than the real images of the first and second bursts. StereoTest: Ex02.01: WAV/ MP3 play_arrow This file contains a repeating pattern of four noise bursts: the first only in the left channel the second only in the right channel the third in both channels and the fourth in both channels, but with the right channel out of polarity with the left channel.
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(To download all WAV examples at once: 12MB ZIP)